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Since 1983, postcard collectors,
both here and in the United Kingdom, have observed the first
full week in May as National Postcard Week.
In celebration of the week, postcard collectors (or deltiologists,
for those who are really serious about their hobby) either
make their own postcards or purchase them to mail to friends
and family. In honor of NPW 04, we look back 76 years
to a postcard that depicted the rapidly growing community
of Silver Spring, Maryland.
The Silver Spring: Then image shows a postcard published
by Willard R. Ross that is captioned "West Side of Georgia
Ave., Silver Spring, Md. 10X." Ross was a Washington,
D.C. photographer who specialized in the publication of real-photo
postcard imagesthat is, images printed on photographic
paper, as opposed to conventional printing methods utilizing
inks. Between the years 1910 and 1925, Ross documented neighborhood
businesses, churches, street scenes, and local events. He
would occasionally pack up his heavy view camera and supply
of glass-plate negatives and journey outside of of downtown
to document other communities, in order to expand business.
Rosss first trip to Silver Spring was on June 21, 1917,
when he photographed various sites and buildings. Thirteen
of these postcard images have survived from that visit (see
Silver Spring Voice, June 2003).
Nearly eleven years later, on March 28, 1928, Ross returned
to Silver Spring, probably desiring to update his stock of
postcard images. The "10X" indicated in the caption
refers to the number of different postcard views in the series
that Ross took during this 1928 visit. Indeed, many changes
had occurred in the small town since his first trip.
One of those changes was the construction of the communitys
first commercial and entertainment center, developed by James
Herbert Cissel. Cissel was president of the Silver Spring
National Bank, the communitys first, which opened in
1910 on the southeast corner of Georgia and Sligo avenues.
The bank had to relocate in 1924 when construction began on
the Baltimore & Ohio Railroad underpass, built to separate
Brookeville (now Georgia) Avenue from the B&Os Metropolitan
Branch railroad tracks. The current Georgia Avenue underpass,
opened in 1948, in turn replaced this underpass.
Cissel purchased a lot on the west side of Georgia Avenue,
just south of Oak (now Bonifant) Street, and hired local architect
Frank Baker Proctor and builder John M. Faulconer to design
and construct a row of brick commercial structures.
The first structure to be built was the Silver Spring National
Bank, which opened its doors on September 1, 1925 and is the
structure appearing on the right in the image. Visible at
the bottom of the banks vertical sign is "4% On
Savings."
On the south side of the bank was the Cissel Building. Brosius
Bros. & Gormley, Inc. occupied the ground floor and provided
sales and service for Hudson, Essex, and Hupmobile "motor
cars." Customers were offered "day and night storage"
of their automobiles. Occupying the second floor of the Cissel
Building was "Spindlers Beauty ShoppeManicuring,
Hair Cutting, Shampooing, Marcelling." Ruth A. Spindler
was the owner of the shop and also lived on the second floor.
The juxtaposition of these two businesses exhibited a clever
marketing strategy for the timesthe wife could pamper
herself upstairs while the husband was downstairs getting
the car serviced or admiring the latest models.
And if the couple had children in tow what could they do
with them? Why, send them next door to the SECO Theatre, of
course! Opened on November 7, 1927, the SECO was Silver Springs
first and only movie theater. Its name was an acronym for
owner W. Valentine Wilsons Suburban Electric Company.
Wilson also owned the SECO in Rockville, built circa 1915.
Costing $60,000 to build, Silver Springs SECO had 500
seats and featured a 12 x 16 ft. screen and a projection system
"said to be the latest word in motion pictures machines."
Parents, however, may have had second thoughts about letting
their children see the movie that was playing on the day that
Ross took this photograph. Two posters displayed on the front
of the theater indicate that the 1927 silent film London
After Midnight, starring Lon "Man of a Thousand Faces"
Chaney, was playing that day. The film, directed by Tod Browning,
tells the story of possible vampires who move into the abandoned
home of a wealthy man who committed suicide five years earlier
or
did he? Archivists and film collectors throughout the world
consider this film to be the "Holy Grail" due to
the fact that there are no known copies. The American Film
Institute has listed it as one of the nine most significant
lost films of all time.
To the right of the SECO Theatres entrance was Acme
Candies, owned by Fred Lawrence Lutes. Lutes was also the
assistant cashier at the Silver Spring National Bank. To the
left of the theaters entrance was Helens Shop,
a gift store owned by Helen L. Brannon.
The Silver Spring: Again image depicts the same view
as it appears today, after a series of changes. In 1938, the
Silver Spring National Bank saved the failing Takoma Park
Bank by merging with it, becoming Suburban National Bank.
To celebrate this merger, and to expand the bank, the noted
architectural and construction firm Tilghman Moyer & Co.
of Allentown, Pa. was engaged to construct a new, 16-foot-deep
Classical Revival limestone facade. "Ghost" letters
forming the outline of "Suburban National Bank"
can still be seen, on either side of the front entrance, after
a rain when the limestone is wet. Suburban Trust would later
be known as Suburban Bancorp and was the fourth largest bank
in Maryland when it merged with Sovran Bank in the 1980s.
Sovran became NationsBank in the 1990s, moving out of its
Georgia Avenue location in 1997 when it became Bank of America.
Likewise, the last theater to occupy the SECO was Roths
Silver Spring West (Roths Silver Spring East was located
half a block to the east on Thayer Avenue). The theater underwent
a $125,000 renovation designed by Warren G. Sargent and reopened
on July 9, 1953. The last films were screened in June 1991,
when the theater permanently shut down after six decades.
In 1997 the Bethel World Outreach Ministries ("Win the
Lost at All Costs") purchased the bank, theater, and
empty lot between them. Church services are held in the theater
and offices, and classrooms occupy the bank building. Only
recently did the church destroy the theaters eclectic
1953 façade, consisting of turquoise aggregate panels
and brass movie poster cases, by burying it under a façade
of beige Dryvit. The future of the bank building, whose name
"Suburban National Bank" or "Suburban Trust"
may still reside under a removable panel at the top of the
façade, is unknown.
The last known occupant of the Cissel Building, where the
empty lot is, was the Silver Restaurant. Early owners were
Ova D. Norman and his wife, Marion. In 1962, the business
was taken over by Joseph Ramella and his children. Sometime
around 1972, a fire occurred in the restaurant, which may
have damaged the building beyond repair and necessitated its
demolition.
If you can share with the Silver Spring Historical
Society additional information, photographs, or memorabilia
on any of the individuals or businesses mentioned in this
article, please contact SSHS at P.O. Box 1160, Silver Spring,
MD 20910-1160, email sshistory@yahoo.com,
or call 301-565-2519. The societys web site is www.sshistory.org.
Future historians will thank you!
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